1. |
los días
03:25
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2. |
se
03:24
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3. |
han vuelto
03:24
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4. |
un constante
03:36
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5. |
ir y venir
03:26
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6. |
en mi cabeza
03:26
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7. |
quiero
03:57
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8. |
dejar
04:00
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9. |
de sentir
03:48
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Mi cuerpo ya no puede más mi mente, intoxicada de fármacos lucha por apagarse y dejarme ir a dormir
Pero una parte de mi sigue dando batalla
Mi cuerpo siente esa electricidad paralizante que le ordena a cada músculo al espasmo
Mis ojos se cierran y solo veo luces eventos imágenes
El alcohol y las drogas me llevan al sueño pero mi cuerpo no se deja, mi corazón no quiere bajar
Estoy tan cansada de la ansiedad
Cansada del miedo cada vez que salgo a la calle. Cansada del ensayo permanente de cada posible dialogo
Mil veces en mi cabeza, ensayando cada escenario posible. Salir a la calle es salir a escena, es enfrentarme a un publico que ni siquiera vino a verme
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10. |
que
03:19
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11. |
ya no puedo
03:54
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12. |
ser
04:00
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13. |
quien soy
03:14
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Nocturnx Nantes, France
Experimental noise, electronic both digital and analog.
Based in France.
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ON021 - Death Shapes
by Mordant Arrow
Self-described as “black acid industrial dread,” Mordant Arrow deliver occult EBM that provokes shivers.
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From the always-great label Umor Rex comes the latest from Lina Filipovich: A ruthless deconstruction of classical pieces.
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Written in response to the climate crisis, “Leviathan” is a brooding and beautifully unsettling batch of dark ambient songs.
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SAD GODS presents "Singing for Survival - a Compilation for Project Onward"
by Various Artists
A stellar compilation featuring shoegaze and indie favorites like Drowse, Midwife, and Mount Eerie benefitting Project Onward in Chicago.
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Fractured Whole
by Cruel Diagonals
Every sound here is made using Megan Mitchell's voice, even though the music often sounds more like Earth’s vibrations than a human singing.
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Hong Kong's Enor D reinterprets nursery rhymes as noise pieces with elements of musique concrete on this playful new album.
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With each song named after a remote city, “Hibernation” is haunting darkambient that surrounds & engulfs.
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